I will look at this empty space between the panels and how it works and relates to the narrative.
Graphic narrative gutters.
A visual or implied boundary and the contents within it that tell a piece of the story.
A distinctively long gutter implies a long span of time or major change of scene.
Reader moves from one panel to the next and comes to a conclusion about whats happening.
As the reader moves from one panel to the next they predict and conclude what is happening.
A splash or splash page is a large often full page illustration which opens and introduces a story.
The gutter is the space between panels.
This thesis is about the significance of the gutter in graphic narrative.
Monnin s 2010 graphic novel vocabulary the basics.
Graphic novels can be any genre and tell any kind of story just like their prose counterparts.
To be considered a graphic novel rather than a picture book or illustrated novel the story is told using a combination of words and pictures in a sequence across the page.
Gutter the space between the panels.
The space between the panels.
Visual or implied boundary and the contents within it that tells a piece of the story.
The gutter sometimes occupies more space than the panels and actively contributes to the narrative in various ways.
The format is what makes the story a graphic novel and usually includes text images word balloons sound effects and panels.
First i will delve into the surface of the physical appearance of the gutter its function as a frame and a passe partout and inevitably how this affects the way we look at the gutter through the image and sequential art.
Graphic narrative through its most basic composition in frames and gutters in which it is able to gesture at the pacing and rhythm of reading and looking through the various structures of each.
In some cases it is used to express the duration of time and or changes of location by its length.
A tier is a singular row of panels.
This basic way of storytelling has been used in various forms for centuries early cave drawings.